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From an iconic portrait of a young Elizabeth I to the many paintings of Charles I by Flemish master Anthony Van Dyck and the glamorous “Windsor Beauties” of the court of Charles II, sixteenth- and seventeenth-century portraiture has long been a source of great interest to costume historians. Given the scarcity of surviving garments, it also tells us most of what we know about Tudor and Stuart dress. We’re all familiar with the stockings, voluminous breeches, and elaborate lace ruffs, but did you know that the clothing seen in many of these paintings cost more than the paintings themselves?
For In Fine Style, Anna Reynolds, curator of paintings at the Royal Collection, has drawn on the art of the period, as well as wardrobe inventories, literary references, contemporary accounts, and surviving garments to offer a fascinating account of the elite fashions of the day and the ways in which they were recreated in paint. The gold threads seen throughout the forepart of Elizabeth
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